MRC1

When you have set up your scene and ready to light it.  Think as a photographer would do to set up a studio. What you need to light up the object for of interest is a Key light for shadows, fill light for details lost in the shadow and a back light to give definition to the object.  The key light is above the object and is points down towards the object and when you create the desired shadow effect it is time to move on to the back light. Usually the key light has the highest intensity. The back light is in back of the object and is about 45 degrees in relationship the key light above the object and is pointing down .  These two light will he

When you have set up your scene and ready to light it.  Think as a photographer would do to set up a studio. What you need to light up the object for of interest is a Key light for shadows, fill light for details lost in the shadow and a back light to give definition to the object.  The key light is above the object and is points down towards the object and when you create the desired shadow effect it is time to move on to the back light. Usually the key light has the highest intensity. The back light is in back of the object and is about 45 degrees in relationship the key light above the object and is pointing down .  These two light will he

I have never sold gallery art.  But I have worked in print shops before, they are like a butcher shop where you grind out images.  I am not down on the design and printing industry many people like the fast pace, the tension and putting out the images on time.  It is the nature of the beast, and competition drives it. I worked in the printing business until I could not stand it any more.  My art training started out in the College of Arts and Letters at the University of Nevada in 1974.  I still hope that training has not eroded away.   It was then a balance between philosophy, art history, technical skills and writing, which included a sty